Here’s a short behind-the-scenes video of model Tia getting her sugar skull makeup done by Jenny and hair styled by Rhi to get ready for a photoshoot. The video also includes also a couple of clips with model Joshua with his skull makeup already done and getting some final styling touches by stylist Jihan Amer.
The theme of the shoot was based on the Dia do los Muertos (Day of the Dead) holiday in Mexico, but with a seasonal spring blossom twist. I'll be posting more information about this shoot soon, so keep an eye on my blog.
Here's a preview of one of the photos from this shoot:
I came across David Hull's work on Flickr and was amazed at the realism of his faux space images. They look like they were taken by the NASA with the Hubble Telescope. But David's images are not from space, nor are they created with Photoshop, but are mostly created in-camera. David calls it "light art" and many of his images on Flickr have some information about how they were created. They are done using long exposures, multiple exposures, and a variety of light sources such as LEDs and lasers, different lenses and filters, and a secret method David calls his "Waterworld" technique. Maybe he will share this in future, but for now all he will say is that it involves light reflected off and refracted through water and glass.
I contacted David to find out more about his faux space light art.
Lloyd: How long have you been doing light painting?
David: I've been doing light art in one form or another since late 2006. I say light art, as when I hear "light painting", I think more of the kind of technique one typically sees in Flickr groups such as Light Painting - The Real Deal, and Light Junkies...stuff more along the lines of LAPP, where the camera is usually stationary and artists are moving around with various light sources in front of their cameras paitning in light streaks, etc. While I have done this sort of thing, it's a minority in my imagery.
Most of my early works were Camera Toss (Kinetic series), exploring the interaction of physics and light...a bit redundant, I know, wherein the light sources are usually stationary and the camera is thrown into the air to be acted on by physical processes such as momentum, rotation, gravity, etc. This is usually on a similar scale to the kind of light painting described above, but Waterworld is on a much smaller micro/macro scale.
Lloyd: What inspires you?
David: I'm a scientist (professional geologist) and am intrigued by physics in general, especially as it applies to terrestrial and space phenomena. I'm endlessly fascinated with the interaction of light, motion, and various reflective and refractive media, and the organic patterns that can result from their interactions. The exploration of these interactions forms the basis for my Kinetic and Waterworld image series. The Deep Space (Faux Space) images are an integration of many things I've learned through these other techniques.
I sort of have this childlike idea at the nucleus of my explorations that the images I produce using these techniques allow me to see behind or beyond the immediate dimensions. I'm also inspired by natural light phenomena (sunsets, clouds, shadows, nebula...that sort of thing), as well as abstract art and artists, historical and contemporary.
Lloyd: What advice do you have for anyone who would like to try this out?
David: Be comfortable with and have a good understanding of all the usual photography parameters. Take a look around at what is being done with light art as there are many different kinds of light art being practiced, but don't restrict yourself to mimicking the work of others. Be willing to experiment; to spend countless hours getting nowhere. Although there is certainly plenty of planning and reproducibility involved, there is also a degree of serendipity, and more often than not this kind of light art/light painting is an iterative approach to achieving a desired effect. One also needs to foster a certain sensitivity to the subtle changes in input parameters that can result in significant changes in the end result. Take lots of pictures and analyze them. Piece of cake!
I'd like to thank David for agreeing to share his photos and insights with me and hopefully this will inspire others to experiment with light art. As a scientist-turned-photographer myself, I'm certainly inspired by David's work!
Here's a video slideshow with images from a shoot with model and hairstylist Candy. Click here to see the video on your iPhone/iPod Touch or iPad. Candy is great to work https://healthcareaide.net/valium/ with and puts a lot of intensity into her modeling. Click here to view some of my previous shoots with Candy.
Joleen is a Native where to buy ambien over the counter American model and I’m inspired by First Nations (Native American) art and culture. I’m working on a fine art photography series of black light images so we collaborated with makeup artist Megan Thomas for a body painting photoshoot using Native American themes as the inspiration. Here are some of the shots:
If you are interested in purchasing prints, they're available here.
Here are some photos from a recent shoot with model Kyla Lee and makeup artist/hairstylist Catriona Armour. Catriona did an amazing job with the makeup, which was inspired by the sugar skulls used in connection with the Day of the Dead holiday in Mexico and other Latin American countries. Kyla is an agency model represented by John Casablancas. She was great to work buy cialis with and was quick to take direction and enthusiastically worked with me to get the poses for the shots.
