It’s been a while since I did a UV photoshoot. I recently teamed up with Meghan of Meg’s War Paint, who has collaborated with me on blacklight https://www.sihspune.org/clomid.php photography projects before. I set up the UV Cannon and 4 fluorescent tubes for the shoot.
This photoshoot was about phobias, fears and the subconscious mind, featuring the body painting artwork of Meghan Thomas (Megs War Paint) with model Claudia Rylie.
The body painting included UV fluorescent paint as well as non-UV paint. To capture both types, I used black lights mixed with strobes. To make the UV paint glow, I used six 40 watt fluorescent black light tubes, and a 400 watt UV cannon. I surrounded Claudia with the black light tubes, and positioned the UV cannon to the right of the camera, in front of the Claudia.
I also used strobes to light the fog and Claudia's face or highlight the body painting. The strobes were White Lightnings with grids and reflectors, triggered with CyberSyncs.
To see more photos from this shoot, check out this set on Flickr (Warning: some of the photos are marked as "moderate" on Flickr due to partial nudity and you must be signed into Flickr to see them).
Meghan Thomas: I have worked with Meghan many times and love her creativity and artistic skill. She always comes prepared to the shoot with lots of ideas, designs and plans for the body painting, as well as being an easy going and fun person to work with.
Claudia Riley: Claudia is a skilled model and she is also a dancer with excellent body awareness and control. It is especially challenging for black light body painting photography. First she was required to sit through about 4 hours of body painting, then pose during variety of unconventional lighting set-ups, many requiring her to to be very still due to the slow shutter speeds. She was great to work with, patient and collaborated to get some amazing shots!
Meghan body painted Genevieve with tire tracks and ghost-like faces for a haunted car theme, loosely https://stvraincidery.com/buy-diflucan-online/ based on the Stephen King book Christine.
I used four 40 watt fluorescent black light tubes and a black light cannon for the fluorescent look, and for some of the shots, I also combined strobes and a fog machine for a fiery look.
We had a lot of fun getting crazy and creative with the makeup and lighting!
Here are the resuts of some quick test shots using black lights, smoke and light painting.
The subject was a vintage glass bottle with a ground glass stopper. I noticed a lot of these in the shop of Yusuf the chemist in Mombasa in the movie Inception! As a chemist, I'm always interested in vintage laboratory and apothecary items.
I made the pink fluorescent liquid by soaking the felt insert from a pink highlighter pen in some water. It worked really well! Here's more information about how to make liquids that glow under black light.
For the black light source, I used a UV Cannon and a 12" UV fluorescent tube.
I generated the smoke using a stick of incense. To light up the smoke, I used a Paul C. Buff X800 White Lightning strobe with a pink gel, and a 10º honeycomb grid and barndoors to prevent light spill on the bottle. The background was a black nylon fabric. The bottle was placed on a piece of white foam core.
I've used smoke quite often as an interesting background - it works best with a dark background and backlighting. In this case, I had the light to the right of the camera and behind the bottle, out of frame. For people, I have a fog machine that gives great smoke effects on a larger scale.
To get the above shot, 1. Pink Potion & Smoke, I set the camera on a tripod and used https://supremeauctions.com/buy-coreg-online/ second curtain sync (slow sync) and a 2.5 sec exposure and CyberSyncs to trigger the flash. I was below the table with the smoking incense, using a remote control to trigger the camera.
For the next shot, 2. Pink Potion & Nebula, I used painting with light to create a nebula-like effect. For the the background, I used white seamless paper with a black nylon fabric covering it. With the black fabric in place, and the camera set to bulb, I started with a couple seconds of blacklight, then shut them off. While the shutter was still open and the studio in darkness, I removed the fabric to reveal the white seamless paper, I painted it with a Maglite flash light, with a blue gel over it some cool the light a bit, then closed the shutter with the remote. It took a few tries to get a background that I liked!
The third shot was done in a similar way as the second, except that I also used an LED flashlight and did not use the blue gel on the Maglite. The LED flashlight actually has three separate beams so it created trails in groups of 3, making an interesting abstract design.
If you are in need of a unique background in your still life or product photography, you might want to give these a try. If you have some similar examples, please share links to them in the comment section!
Here’s a video slideshow created with photos shot using a 400 watt UV cannon as the main light source. In an earlier post about black light photography, one of the readers suggested trying a UV cannon, a special effects light often used by clubs and DJs. In my other shoots, I used four 40 watt fluorescent tubes. They worked well, but it would be nice to have a more powerful light source to allow me to use a faster shutter speed and lower ISO.
American DJ UV Cannon
The black light cannon worked well, but was different to work with compared to the fluorescent tubes. The main advantage of the UV cannon was how is easy to set up. You just point it at the model and plug it in. It takes about 10-15 minutes to warm up and gives a good strong light. It can be moved around and repositioned, although it should be turned off and cooled down before moving it to avoid damaging the bulb.
I was surprised that it doesn't give off as much buy ambien online without prescription light as I thought. I expected it to be much more powerful than the 160 watts from the 4 fluorescent tubes. In practice, it was not really more powerful than the four fluorescent tubes, mainly because I can put the tubes very close to the model most of the time, which is not practical with the UV cannon. Also, the UV cannon is a hard light source that casts a sharp shadow, making the light quality quite different than the fluorescent tubes. I surround the model with the tubes, reducing shadows and creating a more even light. I placed a white nylon diffusion panel in front of the UV cannon to help soften the light, which further reduced the power from the light.
Overall, the UV cannon would probably work best placed in front and above the model in a butterfly lighting setup. It also would be best to use when you want dramatic shadows. It's high power would also work great for lighting backgrounds and sets. I'm continuing to explore different ways to use it.
I'm interested in hearing from other photographers who have done UV photography - any suggestions or ideas? What is your favourite UV light set up?
Here's the same video on YouTube for iPhone, iPad, iPod Touch:
Thanks also to Tiffany May Photography who collaborated on this project, providing much inspiration, creativity and assistance!
Production
For the background, we used "Super White" seamless paper, available from Savage or B&D. It glows blue under black light. We cut different sized hearts out of pink fluorescent bristol board and hung them from the studio's ceiling with fishing line. We set up four 48 inch 40 watt fluorescent black light tubes - one on each side of Rachel, one overhead and the fourth on the floor to surround the model with black light.
Here's what the setup looked like (the fourth tube on the floor is not shown):
Skin tends to look very dark under black light, so to help make the model's face more visible, we positioned a White Lightning X800 strobe with a grid in front of the model, and for some the shots we used a hand-held white LED flashlight to light the model's https://www.thecourtyardclinic.co.uk/buy-cialis-tadalafil-online-uk/ face. We also used a white disk reflector, which gave off a blue glow, to help light the model.
Camera settings
Initially, I used ISO 100, f/1.4, 1/25th second exposure with a Sigma 30mm lens. I then wanted to get some shots with a longer focal length so I switched to my 50-200 mm using ISO 200 and 1/10 sec at f/2.8. I used a tripod and a cable release to minimized unwanted motion blur. I wanted to minimize noise by using the lowest ISO that I could get away with. Depending on your camera, you may be comfortable going to higher ISO and faster shutter speeds.
Post-processing
I used Lightroom 3.3 to adjust the colours, exposure, noise reduction, and some local brush adjustments. I completed the editing in Photoshop CS4 - mainly retouching and removing the visible fishing lines that the hearts were attached to.
Joleen is a Native where to buy ambien over the counter American model and I’m inspired by First Nations (Native American) art and culture. I’m working on a fine art photography series of black light images so we collaborated with makeup artist Megan Thomas for a body painting photoshoot using Native American themes as the inspiration. Here are some of the shots:
If you are interested in purchasing prints, they're available here.
