Here are some photos from a recent shoot with model Kyla Lee and makeup artist/hairstylist Catriona Armour. Catriona did an amazing job with the makeup, which was inspired by the sugar skulls used in connection with the Day of the Dead holiday in Mexico and other Latin American countries. Kyla is an agency model represented by John Casablancas. She was great to work buy cialis with and was quick to take direction and enthusiastically worked with me to get the poses for the shots.
Almost everyone has a digital camera – at least a “point and shoot” compact camera or a camera https://www.thecourtyardclinic.co.uk/buy-viagra-sildenafil-online-uk/ phone. When I got my first Olympus 1.3 MP camera in 1999, not very many people had them. I immediately saw the benefits and have been keeping current with the latest developments. Even the entry level cameras today are amazing compared with the most advanced digital cameras of a few years ago. High quality professional level DSLR's are now affordably priced for most serious hobbyists. How has this impacted photography?
Better photographers
Digital makes it faster for good photographers to become much better photographers. Simply by reviewing the photos on the LCD screen, you get instant feedback. You don't need to know a lot of technical stuff to get great photos. Trial and error is easy. You can take lots of shots without the additional expense of film and developing. As long as you have enough memory and battery power, you can shoot hundreds of shots (or thousands!) in a day.
Sharing Photos
Digital photos are easy to share. You can share film too by having it scanned, but most people are not going to spend the time and money to scan their old photos. I was inspired by Flickr, a website with huge numbers of photos and tons of useful information. The photography on Flickr, from both pros and amateurs, is amazing. Flickr, photography blogs, and other photography sites are great resources that help enthusiastic photographers improve their skills. By participating in online communities, photographers can get great feedback, finding what people like or don't like.
Increased Interest in Photography
The combination of digital cameras and online resources have increased the popularity of photography - it is now more popular than ever before. And now you have great tools to improve your results. The overall quality of photography has increased in the last 10 years due to digital photography.
More Photographers
Professional photographers are feeling the impact. People and businesses may choose to do the photography themselves with their new high quality digital cameras. Or, they can hire a part-time photographer who can do a quality job, but charges very little or nothing. Why pay for a pro when you can get good results for less cost? There's pressure on professionals to reduce prices to compete. Another option for pros is to compete on other factors than price - quality, customer service, creativity and other value-added services. The bar has been raised and people now expect more from a pro photographer than ever before.
Value
As a freelance photographer, my goal is to be the best I can be. I'm comparing myself to the best photographers in the world, today and in the past, and I'm aiming to be in the same category. I know I have a long way to go! The best photographers have created images that I love and would be thrilled to have done myself. When a client hires me, it's because of my photographic style, vision and knowledge - not the camera that I use, which is not very important.
In the book "Outliers: The Story of Success," author Michael Gladwell identifies factors contributing to high achievement and success. One of the factors is "The 10,000 hour rule" - it generally takes about 10,000 hours of training, practice and hands-on work in any profession to become great at it. That works out to around 5 years working full time. That's how long it takes to master a subject and become world class. And it's one of the reasons I love to shoot as much as possible. I also take courses, read and try new techniques. I want to get to 10,000 hours!
The technical challenges for a photographer are enough for a lifetime of learning. The creative challenges are even greater! New technologies have opened up new possibilities for photographers who are willing to pursue them. The role of the professional photographer has not changed too much, but it's now more important for photographers to market themselves to demonstrate the value that they provide. It takes a lot more than a good camera and Photoshop. In-depth technical knowledge of lighting and cameras is important, but when it's combined with great people skills, creativity, passion and vision, the photographer becomes a rare resource who is valued for their unique style.
Future
Will the demand for professional photographers decrease in the future? It is very likely that it will. More people will be doing good work for a low price, driving out the professionals from the lower end of the photography market. Magazines, one of the traditional markets for freelance photographers, are reducing their budgets as fewer people subscribe and access online information, most of it for free. There will be more demand for photography for online use instead of print, and much of this can be sourced from amateur photographers or stock agencies. People will still pay for high quality prints, which will support the market for some photographers, for example fine art, wedding and commercial photographers. And the best photographers will always be in demand.
The challenges for photographers in adapting to digital are not much different than those facing people in other fields. Music and movies are a couple examples. The old business models need to change. In the allegorical book Who Moved My Cheese? by Spencer Johnson, the characters are mice in a maze who suddenly find that the cheese is not in the same place as it used to be. They need to change and adapt if they want to find more cheese. Going back to the same spot is not going to work!
I'm excited by the challenges, the opportunities and rewards. I want to be the best, and appreciate having the opportunity to pursue it with a passion!
Digital
Almost everyone has a digital camera - at least a "point and shoot" compact camera or a camera https://medimagery.com/buy-soma-online/ phone. When I got my first Olympus 1.3 MP camera in 1999, not very many people had them. I immediately saw the benefits and have been keeping current with the latest developments. Even the entry level cameras today are amazing compared with the most advanced digital cameras of a few years ago. High quality professional level DSLR's are now affordably priced for most serious hobbyists. How has this impacted photography?
Better photographers
Digital makes it faster for good photographers to become much better photographers. Simply by reviewing the photos on the LCD screen, you get instant feedback. You don't need to know a lot of technical stuff to get great photos. Trial and error is easy. You can take lots of shots without the additional expense of film and developing. As long as you have enough memory and battery power, you can shoot hundreds of shots (or thousands!) in a day.
Sharing Photos
Digital photos are easy to share. You can share film too by having it scanned, but most people are not going to spend the time and money to scan their old photos. I was inspired by Flickr, a website with huge numbers of photos and tons of useful information. The photography on Flickr, from both pros and amateurs, is amazing. Flickr, photography blogs, and other photography sites are great resources that help enthusiastic photographers improve their skills. By participating in online communities, photographers can get great feedback, finding what people like or don't like.
Increased Interest in Photography
The combination of digital cameras and online resources have increased the popularity of photography - it is now more popular than ever before. And now you have great tools to improve your results. The overall quality of photography has increased in the last 10 years due to digital photography.
More Photographers
Professional photographers are feeling the impact. People and businesses may choose to do the photography themselves with their new high quality digital cameras. Or, they can hire a part-time photographer who can do a quality job, but charges very little or nothing. Why pay for a pro when you can get good results for less cost? There's pressure on professionals to reduce prices to compete. Another option for pros is to compete on other factors than price - quality, customer service, creativity and other value-added services. The bar has been raised and people now expect more from a pro photographer than ever before.
Value
As a freelance photographer, my goal is to be the best I can be. I'm comparing myself to the best photographers in the world, today and in the past, and I'm aiming to be in the same category. I know I have a long way to go! The best photographers have created images that I love and would be thrilled to have done myself. When a client hires me, it's because of my photographic style, vision and knowledge - not the camera that I use, which is not very important.
In the book "Outliers: The Story of Success," author Michael Gladwell identifies factors contributing to high achievement and success. One of the factors is "The 10,000 hour rule" - it generally takes about 10,000 hours of training, practice and hands-on work in any profession to become great at it. That works out to around 5 years working full time. That's how long it takes to master a subject and become world class. And it's one of the reasons I love to shoot as much as possible. I also take courses, read and try new techniques. I want to get to 10,000 hours!
The technical challenges for a photographer are enough for a lifetime of learning. The creative challenges are even greater! New technologies have opened up new possibilities for photographers who are willing to pursue them. The role of the professional photographer has not changed too much, but it's now more important for photographers to market themselves to demonstrate the value that they provide. It takes a lot more than a good camera and Photoshop. In-depth technical knowledge of lighting and cameras is important, but when it's combined with great people skills, creativity, passion and vision, the photographer becomes a rare resource who is valued for their unique style.
Future
Will the demand for professional photographers decrease in the future? It is very likely that it will. More people will be doing good work for a low price, driving out the professionals from the lower end of the photography market. Magazines, one of the traditional markets for freelance photographers, are reducing their budgets as fewer people subscribe and access online information, most of it for free. There will be more demand for photography for online use instead of print, and much of this can be sourced from amateur photographers or stock agencies. People will still pay for high quality prints, which will support the market for some photographers, for example fine art, wedding and commercial photographers. And the best photographers will always be in demand.
The challenges for photographers in adapting to digital are not much different than those facing people in other fields. Music and movies are a couple examples. The old business models need to change. In the allegorical book Who Moved My Cheese? by Spencer Johnson, the characters are mice in a maze who suddenly find that the cheese is not in the same place as it used to be. They need to change and adapt if they want to find more cheese. Going back to the same spot is not going to work!
I'm excited by the challenges, the opportunities and rewards. I want to be the best, and appreciate having the opportunity to pursue it with a passion!
Makeup Artist and Hairstylist: Isha Paneswar. Fashion Stylist: Gurjit Parmar. Photography: Lloyd Barnes.
Here are some photos and a short music video with an East Indian bridal theme. The model, tadalafil makeup artist/hairstylist and fashion stylist were awesome!
Almost everyone has a digital camera – at least a “point and shoot” compact camera or a camera phone. When I got my first Olympus 1.3 MP camera in 1999, not very many people had them. I immediately saw the benefits and have been keeping current with the latest developments. Even the entry level cameras today are amazing compared with the most advanced digital cameras of a few years ago. High quality professional level DSLR's are now affordably priced for most serious hobbyists. How has this impacted photography?
Better photographers
Digital makes it faster for good photographers to become much better photographers. Simply by reviewing the photos on the LCD screen, you get instant feedback. You don't need to know a lot of technical stuff to get great photos. Trial and error is easy. You can take lots of shots without the additional expense of film and developing. As long as you have enough memory and battery power, you can shoot hundreds of shots (or thousands!) in a day.
Sharing Photos
Digital photos are easy to share. You can share film too by having it scanned, but most people are not going to spend the time and money to scan their old photos. I was inspired by Flickr, a website with huge numbers of photos and tons of useful information. The photography on Flickr, from both pros and amateurs, is amazing. Flickr, photography blogs, and other photography sites are great resources that help enthusiastic photographers improve their skills. By participating in online communities, photographers can get great feedback, finding what people like or don't like.
Increased Interest in Photography
The combination of digital cameras and online resources have increased the popularity of photography - it is now more popular than ever before. And now you have great tools to improve your results. The overall quality of photography has increased in the last 10 years due to digital photography.
More Photographers
Professional photographers are feeling the impact. People and businesses may choose to do the photography themselves with their new high quality digital cameras. Or, they can hire a part-time photographer who can do a quality job, but charges very little or nothing. Why pay for a pro when you can get good results for less cost? There's pressure on professionals to reduce prices to compete. Another option for pros is to compete on other factors than price - quality, customer service, creativity and other value-added services. The bar has been raised and people now expect more from a pro photographer than ever before.
Value
As a freelance photographer, my goal is to be the best I can be. I'm comparing myself to the best photographers in the world, today and in the past, and I'm aiming to be in the same category. I know I have a long way to go! The best photographers have buy cialis online safely created images that I love and would be thrilled to have done myself. When a client hires me, it's because of my photographic style, vision and knowledge - not the camera that I use, which is not very important.
In the book "Outliers: The Story of Success," author Michael Gladwell identifies factors contributing to high achievement and success. One of the factors is "The 10,000 hour rule" - it generally takes about 10,000 hours of training, practice and hands-on work in any profession to become great at it. That works out to around 5 years working full time. That's how long it takes to master a subject and become world class. And it's one of the reasons I love to shoot as much as possible. I also take courses, read and try new techniques. I want to get to 10,000 hours!
The technical challenges for a photographer are enough for a lifetime of learning. The creative challenges are even greater! New technologies have opened up new possibilities for photographers who are willing to pursue them. The role of the professional photographer has not changed too much, but it's now more important for photographers to market themselves to demonstrate the value that they provide. It takes a lot more than a good camera and Photoshop. In-depth technical knowledge of lighting and cameras is important, but when it's combined with great people skills, creativity, passion and vision, the photographer becomes a rare resource who is valued for their unique style.
Future
Will the demand for professional photographers decrease in the future? It is very likely that it will. More people will be doing good work for a low price, driving out the professionals from the lower end of the photography market. Magazines, one of the traditional markets for freelance photographers, are reducing their budgets as fewer people subscribe and access online information, most of it for free. There will be more demand for photography for online use instead of print, and much of this can be sourced from amateur photographers or stock agencies. People will still pay for high quality prints, which will support the market for some photographers, for example fine art, wedding and commercial photographers. And the best photographers will always be in demand.
The challenges for photographers in adapting to digital are not much different than those facing people in other fields. Music and movies are a couple examples. The old business models need to change. In the allegorical book Who Moved My Cheese? by Spencer Johnson, the characters are mice in a maze who suddenly find that the cheese is not in the same place as it used to be. They need to change and adapt if they want to find more cheese. Going back to the same spot is not going to work!
I'm excited by the challenges, the opportunities and rewards. I want to be the best, and appreciate having the opportunity to pursue it with a passion!
Silhouettes have an impact because the subject’s outline is distinct, but the details are hidden, giving a sense of mystery. I like taking a few silhouettes during each shoot, and they are sometimes my clients' favourites!
It's easy to shoot silhouettes, either in the studio or outdoors. The key is to have a background that is much brighter than the subject. I love doing shoots at sunset, using strobes to light the subject in the foreground and balancing the exposure with the background. By first setting the exposure according to the background using a light meter (I use a Sekonic light meter, but the camera's light meter works too), when I turn off the strobe, the subject https://bea-skincare.com/wp/buy-valtrex-online/ will be a silhouette. Sometimes this happens by mistake when the flash's battery dies - which can be a happy accident as long as I have some spare batteries!
The same technique works in the studio. By turning off the main light (for example the softbox in front) and leaving the background lighting on, the photo will be a silhouette.
During post-processing, I adjust the contrast in Lightroom or Photoshop if necessary to make a more dramatic silhouette. Sometimes leaving a little detail in the shadows can be quite effective too.
The best subjects have clearly recognizable outlines. People work well - especially if they pose in ways that give interesting outlines.
I’m looking forward to doing another underwater fashion shoot in May. I’m still a beginner and have much to learn about doing underwater photography with models. So far I have done 4 or 5 shoots and have learned a lot from the experience!
I’m inspired by Howard Schatz who does incredible work! Doing an image search for “underwater fashion photography” using your favorite search engine will give you lots of beautiful images for more inspiration.
Underwater fashion photography is very challenging for the photographer and the model. I use a Canon G9 with the Canon WP-DC21 underwater housing, which protects the camera while allowing me to control it from outside the housing while I'm underwater. It's a little scary submerging my camera so I'm very careful to make sure that there are no leaks. The controls are a slightly different than they are without the housing so it takes some practice to get used to them. I'd love to get an underwater housing for my DSLR too. Underwater housings for DSLRs are more expensive, but would give me more flexibility and image quality compared to compact cameras. The G9 is a pretty flexible compact camera, so it works well for me. Ikelite has a variety of housing systems for different cameras. Canon and Olympus have some more information on their websites.
For the model, posing underwater is challenging but fun! Models can quickly get cold in the water, so I work as quickly as possible. The model must be comfortable with opening her eyes underwater, and she should be able to relax and look natural. It's really tough to do this when you're underwater! The makeup artist should use waterproof makeup, however, even waterproof makeup comes off quite quickly underwater. The makeup artist will need to be standing by for touch ups. I like long flowing outfits for the models because they look so great underwater. Anything goes as long as it's OK to get it wet!
I use a diving mask and snorkel to go underwater and get in position for the shot. The model then goes underwater for her pose. She must not only hold her breath and look natural with her eyes open, but also should avoid blowing bubbles. I also have fins so I can move more quickly in the water and a wetsuit for cold water. I bring lots of towels so the model can get warm and dry as quickly as possible. Once she starts buy ambien shivering, the shoot is done!
Some of the photographic issues that I have encountered include color cast, focus and lighting. Underwater, the light has a very blue color cast. Some cameras (like the G9) have an underwater mode, which corrects for the blue. I also shoot in raw format (another nice feature of the G9), so I can make adjustments to the white balance during post-processing. The G9 is a little slow processing raw files though, so I can't get many shots in before the model needs to go back to the surface for air.
Focus is a tricky because the model will appear to be much closer underwater than she actually is due to the magnification effect of the water. At first it confused me - I would prefocus above water and then submerge with the model only to find she is suddenly too close! So I learned to focus underwater and normally use autofocus. The G9 has face detection and different autofocus modes that help me to work quickly.
Lighting is challenging because light falls off quickly underwater. The water clarity will also effect the amount of light available. All my underwater shoots have been in pools with relatively clear water. However, lakes and ocean locations may be cloudy, limiting the amount of light. Bright sunlight works the best, so I like to shoot on a sunny day. The beams of light going through the water look great! However, sunny days are not always possible, especially in Vancouver. To deal with the low light, I usually use the maximum aperture (f2/.8 for the G9). I also have the SeaLife SL961 underwater strobe. It is triggered optically by a fibre optic cable attached to the outside of the housing in front of the camera's built-in flash. It must be used fairly close to the model and the light quality is not great as it is a bare flash without modifiers, so I use it only when necessary. As a last resort, I increase the ISO. I don't like to go above 400 with my camera due to the higher noise levels. One advantage of DSLR cameras is they have less noise at higher ISOs than compact cameras.
After the shoot, the next step is post-processing. I will normally increase the contrast, adjust the white balance, filter out the noise, and remove unwanted bubbles. Since the makeup fades easily underwater, I often will touch it up in Photoshop too.
I'll be posting an update in May with the results of my next underwater shoot!
I love night photography and Vancouver is a great place for it. My favourite time for taking night shots is during the first hour after sunset. It’s called “The Blue Hour” – when the sky is a beautiful rich blue – even when it’s overcast. But it is dark enough for the city lights, which adds more interest and drama to the shots. Buildings, traffic signals, cars, neon signs all look great at night. After about one hour, the sky turns dark and doesn't look quite as cool.
I took this photo on Commercial Drive, which comes to life in the evening with lots of people enjoying the restaurants, coffee shops and bars or just picking up some groceries at the shops.
Some tips for night photography:
Bring a tripod! The shutter speeds will be too slow to take handheld shots. If your camera takes decent pictures at high ISO settings and has image stabilization, you might be able to get some good handheld shots with a faster shutter speed.
Use a cable release or remote if you have https://assaultvictimlawyer.com/buy-cialis/ one. If not, use the self-timer so that you do not touch the camera during the shot giving, you sharper images.
I turn off the image stabilization with my camera (Olympus E-510). The image stabilization is unnecessary with a tripod and actually adds motion blur!
Try f/16 or smaller apertures - the lights will have more twinkle and bright lights will have starry rays!
Moving cars look very cool with long shutter speeds
Moving people will be ghostly and blurry - sometimes totally disappear. I like the motion blur effects as it adds more energy to the shot. If you want sharper focus for the people in the foreground, you can use a flash.
Try different white balance modes - tungsten and fluorescent often look really good. Daylight mode will look warm and orange which can give a cozy feel to some scenes. If you shoot in raw format you can easily play around with the white balance when you process your raw files.
Here's a slideshow of some of the night images on "The Drive":
Here's another version of the photos in a music video style slideshow: Create your own video slideshow at animoto.com.
Most anime and manga characters have freakishly large eyes. We thought it would be fun to do a photo shoot with large anime eyes painted over the model’s eyelids. Using some anime images as reference, makeup artist Mika did some very cool work with model Candy. Mika posted a video on YouTube with more info on how she did the makeup. Candy also brought along a bunch of different outfits for the shoot.
It was challenging for Candy because she had to keep her eyes buy soma online overnight delivery shut most of the time. It was strange for me because after a while I forgot that the anime eyes were not real. When I'm photographing people, I pay special attention to their eyes - the shadows, highlight and focus. I did the same during this shoot and the eyes, as abnormally large and cartoonish as they were, started to seem real - as if they were looking at me and my camera! Candy did a great job modeling and I had to keep reminding myself that she had her eyes closed the entire time.
I attended the the UBC Fashion Show on March 20, 2010 at the UBC Aquatic Centre, which was a pretty cool venue for the show. The runway was installed above the outdoor pool, which made for some interesting shots with the reflections in the water. The UBC International Relations Students Association presented the show, entitled "Fashion is Freedom," an exploration of the theme of fashion as art and how its expression reflects political freedom. The show featured the work of designers from Vancouver.
UBC Fashion Show 2010 "Fashion is Freedom"
Strapped
The first show, "Strapped" by designers Amanda Klassen and Neudis Abreu, Design students from Emily Carr University of Art, presented designs on the themes of consumerism and the depletion of non-renewable resources.
"Strapped" by Amanda Klassen and Neudis Abreu, Model Claire
UBC Style
The second show was "UBC Style" is there a generic buy clomid online form of viagra featuring campus fashions available at UBC, presented by fashion stylist Wilbur Tellez.
"UBC Style" - Stylist Wilbur Tellez, Model Ally
Nicole Bridger
The next show was by designer Nicole Bridger who uses natural fabrics made from renewable resources for her socially conscious designs.
Designer Nicole Bridger, model Roosa
Drew Williams
The fourth show was by Drew William who presented menswear and womenswear at the show.
Design by Drew William
Voicelessness
The next show was "Voicelessness," by designers Nicole M. Rosychuk, Lauren Mills and Mike Gouze and directed by Nicole Marie Rosychuk.
"Voicelessness" model Christina L.
What Are You Wearing?
The final show entitled "What Are You Wearing" was by designers Akari Izumi, Colleen Hughes-Games and Rashika Gupta
Model Alina wearing an outfit of disposable coffee cups from "What Are You Wearing?"
It’s great when everything comes together during a photoshoot! I’m expanding my editorial portfolio and love anything edgy, alternative and surreal. One of the jobs of a photographer is to translate creative vision to photographic images. I'm attracted to the creative possibilities in fashion editorial photography, where models, makeup artists, hairstylists, wardrobe stylists, and photographers work together in the creative process.
For this shoot, the team consisted of wardrobe stylist Laura Anne Image, model Yomee and makeup artist Sylvia Szczepanska. Laura Anne's concepts are inspired by her art work, which she brings to life in the photoshoot. She was great to work with because of her creative vision and great art direction. Also, she did an amazing job sourcing the wardrobe and accessories. Sylvia is a very talented makeup artist, graduated from John Casablancas Institute. Yomee is an alternative model from Australia who is now lives in Vancouver. She was also wonderful to work with and responded to art direction with great poses and expression. This is the first time that I have worked with this team and hope to do more shoots in the future!
Laura Anne described her vision as "colour contradiction where innocent colours look villain-like." The colour palette was to be pastels - light https://www.rossitchpediatricdentistry.com/buy-lasix/ pink, light blue, lilac and a white background. Unfortunately the original model broke her leg before the shoot, so Yomee was the replacement. Yomee is an alternative model with body mods - piercings and tattoos. However, Laura Anne wanted clean skin for the model. I was up to the challenge of Photoshopping the the tattoos away. I've done it before and can make it look convincing. Also, the model's eyes were to be blank - again another Photoshop challenge! I've never tried that before - I have done much Photoshopping of eyes - removing contact lens edges, clearing up small blood vessels, brightening the eyes, darkening the pupils, changing the eye-colour - but never completely removing the irises and pupils!
I used a beauty dish for the main light because it gives a bit more edgy look with more shadow definition than with a softbox, but still gives soft light. I used a white seamless paper background, lit with another strobe and a gridded strobe behind the model as a hair light.
I think the photos have a creepy feel mainly due to the unsettling blank eyes, and the styling, model and makeup go together to make some beautiful images that brought to life Laura Anne's creative vision.
Here is a slideshow with more images from this shoot:
Here are some more photos of Jennifer Nguyen from a photoshoot that we did in January 2010. We did 4 sets and the first was a natural look with blue jeans. The shoot went great and Jennifer brought some very sexy outfits. I’ll post more of those sets later! Check out Jennifer’s blog and Facebook page if you want see more photos and become a fan!
